This is what a snowless winter day looks like at the Berkley Riverfront Park

Berkely Riverfront Park, January, oil, 12x16, ©Chris Willey

Berkley Riverfront Park, January, oil, 12×16, ©Chris Willey

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Paris Revisited

When I was in Paris I did some quick sketches in the market and took several photos. It is as difficult as it seems. Market umbrellas would go up and down. Vendors would switch out displays. People would stop to chat. So it seemed I got nothing accomplished. Yet, when I got home, I could look at my sketches, look at my photos, remember those days, and pull together a small, loose market scene.

Paris Market, oil, 12x16, ©Chris Willey

Paris Market, oil, 12×16, ©Chris Willey

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Why we plein air

This is the second attempt. I went plein air painting with MVIS last Saturday. I had a great learning day. It had been awhile since I had been out, and there is always a re-learning curve for me. I forgot a few basics in my packing supplies. And I forgot a few basics in painting. I usually do a thumbnail to work out the composition. I didn’t do that. I usually ask myself what it is I’m attracted to. I thought I was interested in the sandbars, and the Kansas City skyline, but as I painted I became more interested in the industrial area. I left Kaw Point liking the paint quality and parts of the painting. I left feeling like I had learned some new things. So I went home, and did it again, while I could still FEEL the day and light. This is the second attempt. It is the same size as my plein air, same paint quality as my plein air, but it is NOT a plein air. And I could not have done this without the plein air. Plein airs don’t always work. Many artists give up because there are so many bad paintings to be made in front of people. But that is how you get to the good paintings. That is one reason why we plein air.

Kaw Point River Front Park, oil, 11x14, ©Chris Willey

Kaw Point River Front Park, oil, 11×14, ©Chris Willey

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Sketch and Final Work

On the web, these look the same size, when in reality, the first is a small oil sketch, and the second is the larger studio piece. The midwest offers beautiful, vast vistas of rolling hills and skies (once you can get out of the vast suburbs).

WilleyCumulusSketch

Cumulus Sketch, oil, 12×12, ©Chris Willey

Cumulus Sketch, oil, 36x36, ©Chris Willey

Cumulus Clouds, oil, 36×36, ©Chris Willey

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Larger Studio Piece of Nebraska Soy Field

Fall Morning Soy, oil, 36x36, ©Chris Willey

Fall Morning Soy, oil, 36×36, ©Chris Willey

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Nebraska Fall Soy Field

While visiting my sister in Lincoln, NE, I ran across this beautiful soy field. It was just changing over to pinks, yellows and greens

October Soy Field, oil, 12x12, ©Chris Willey

October Soy Field, oil, 12×12, ©Chris Willey

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Loose Park, Friday, Oct. 24, 2014

Loose Park Bridge -- October, oil, 11x14, ©Chris Willey

Loose Park Bridge — October, oil, 11×14, ©Chris Willey

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Parkville Plein Air (October)

Quick Paint Winner. English Landing Meadow Bog, oil, 9×12, ©Chris Willey

Honorable Mention. Fall View -- National Golf Course Pond, oil, 11x14, ©Chris Willey

Honorable Mention. Fall View — National Golf Course Pond, oil, 11×14, ©Chris Willey

SONY DSC

Fall National Golf Course, oil, 11×14, ©Chris Willey

SONY DSC

Parkville Depot, oil, 9×12, ©Chris Willey

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Brush Creek Art Walk

3 days of painting. 6 paintings. 5 with potential. 2 completed. Not bad.

Indians at the Nelson, oil, 11x14, ©Chris Willey

Indians at the Nelson, oil, 11×14, ©Chris Willey

SONY DSC

Urban Marsh, oil, 11×14, ©Chris Willey

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Gratitudes 7 and 8

Day 8

1. Had to get shots today. Glad they are over.

2. Have my artwork ready to turn in for the Brush Creek Artwalk

3. Had such a lovely breakfast at Eggcetera with my hubby

4. Another good studio day

5. Glad for the rain. My new plantings like it and my rain barrels.

 

Day 7

1. Glad to have a studio day

2. Lovely to have my weekly lunch with my sister Kathy

3. Oh my, what good dessert at Andres

4. Painting went well today

5. Beautiful day

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